Your Mother Dances

Choreographers

 

Extravangantly Extravagant Winter Extravanganza

   

Elizabeth Johnson - Artistic Director

 

   

Heinz Poll by Wilma Salisbury

 

   


Cate Deicher

Sara Hook

Ms. Hook, a former soloist with Nikolais Dance Theater, toured internationally and appeared on National TV in the 1987 Kennedy Center Honors. She has also performed with Murray Louis, Pearl Lang, Jean Erdman, and Stephan Koplowitz and is currently a guest artist with David Parker and The Bang Group. Professor Hook's company, Sara Hook Dances regularly appears in New York and other national venues. Recent company activities include appearances at Dancenow/NYC's DanceMOpoliton Series at Joe's Pub at the Public Theater and the Ft Worth Museum of Modern Art in Ft. Worth, Texas. Upcoming performances include the Family Matters Series at Dance Theater Workshop in New York and the Danceworks Performance Series in Milwaukee, WI. Her work also continues to be produced internationally with David Parker and the Bang Group in venues throughout North America and Europe. The first American representative to the International Choreographer's Residency Program at the American Dance Festival (ADF), Hook received a Scripps ADF Humphrey-Weidman-Limón Choreography Fellowship in 1995. She has toured widely as a guest artist/teacher and has set works at over a dozen universities nationally. Professor Hook was previously on the faculties of Princeton University and the Alvin Ailey American Dance Center, and a regular guest faculty of the Paul Taylor Summer Intensives in NYC. She holds an M.F.A. from New York University's Tisch School of the Arts and a B.F.A. from the North Carolina School of the Arts; she is also a Certified Movement Analyst from the Laban Bartenieff Institute of Movement Studies.

 

David Parker


David Parker founded his New York City-based dance company, The Bang Group in 1996 to pursue his interest in the percussive possibilities of the dancing body. His work is wide-rangingly anarchic and subversive but always tempered by an abiding love of formalism. Drawing from vaudeville, silent movie comedy, classical, modern, post-modern and tap dance forms, Parker's work has gained a reputation for rigor, humor and virtuosity throughout the United States, Canada and Europe. TBG is presented in New York City at such prestigious downtown venues as Dance Theater Workshop (5 full-evening productions) and Danspace Project at Saint Mark's Church (2 full-evening productions), Dancemopolitan at Joe's Pub, Symphony Space, Lincoln Center out of Doors and many others. The company has been presented internationally at such festivals as The Holland Dance Festival, Biennale de Charleroi Danses in Belgium, Konfrontace Festival for New Dance in Prague, Invito Alla Danza in Rome, Belluard Bollwerk in Switzerland, Monaco Danse Forum, Dutch Touch Festival in Paris, NRW Tanzemesse in Germany, Tanzesprache in Vienna, Dance Week Festival in Zagreb, Divadelna Nitra in Slovakia, Ballett Umbria in Italy, and most recently at the Edinburgh Fringe Festival in Scotland. Domestic appearances include Dance Affiliates in Philadelphia, Sushi in San Diego, First Night Festival in Boston, Clarice Smith PAC in Maryland, Actors Theater of Louisville, Tampa Bay PAC, Cullen Theater in Houston, Inside-Out at Jacob's Pillow, The American Dance Festival's Young Choreographers and Composers series and numerous others. The Bang Group regularly offers residencies, master classes and performances at colleges and universities throughout the US and Europe and has served on the faculty of Concord Summer Stages Dance Festival every summer since 2000. The Bang Group also taught for three consecutive summers at Pro Danza Italia in Tuscany, Italy. Parker's work has received numerous awards including a New York Dance and Performance ("Bessie") Award for his long-term collaboration with Netherlands-based costume designers Melanie Rozema and Jeroen Teunissen, an award from the Fourth International Competition for Choreographers of Contemporary Dance in Groningen, The Netherlands for his work Bang and Suck, a citation from the jury of the Nijinsky Awards in Monaco as notable emerging choreographer and a citation from the jury of the Kurt Jooss Awards again for Bang and Suck. The company has been generously supported by the New York Foundation for the Arts, The Jerome Robbins Foundation, The Greenwall Foundation, 2wice Foundation, Netherland-America Foundation and by several private donors. Parker’s comic/subversive neo-vaudeville Nutcracker entitled Nut/Cracked was a break-out hit in its first season at Dance Theater Workshop in 2004, was invited back by popular-demand for a second extended run and has toured widely throughout the United States and Europe for the past two years. It can be seen in Boston in November. Mr. Parker was commissioned to create a new work for the Juilliard Dance Division’s freshman class in the fall of 2006, will begin a new collaboration with long-term colleague Sara Hook in August 2006 and will be back at Dance Theater Workshop with an evening of new work in the spring of 2007. Other upcoming appearances will be in Houston, Concord (MA), Sardinia (Italy), and at the Times Square Festival in New York. Parker teaches dance composition at Barnard College and The Alvin Ailey School, serves on the board of directors of The Field and Danspace Project and is a member of the Bessie Awards Committee. He is delighted to be continuing his artistic collaboration with Elizabeth Johnson with whom he has the pleasure of working for the past four years.


Molly Rabinowitz


Molly Rabinowitz has been choreographing in NYC for over a decade. Her company, Molly Rabinowitz|LiquidGrip, has performed in numerous venues throughout the US and internationally. She has been an Artist-in-Residence at Movement Research and the recipient of two space grants at the 92nd St.Y. Ms. Rabinowitz is an AmSat certified teacher of the Alexander Technique (a major influence in her work) and has had a private teaching practice for the past thirteen years. In addition, she has extensive teaching experience as a guest artist in both contemporary dance and the Alexander Technique. Recent teaching engagements include the State School for Modern Dance in Copenhagen, the Holborn Center for New Dance and the Greenwich Dance Agency in London, NYU’s Performance Studies program, Bennington College, and Wesleyan University. She currently trains Alexander Technique teachers at Balance Arts, and teaches Yoga and the AT at Sloane Kettering’s Integrative Medicine Center. Ms. Rabinowitz has taught dance and choreography at St. Ann’s School in Brooklyn for over a decade. A graduate of Wesleyan University (BA) with high honors in dance, she is currently completing an MFA in Dance at the University of Wisconsin, Milwaukee.

Monica Rodero

Monica Rodero earned her BFA in dance at UW-Milwaukee in 2003. Since graduation, Monica has received additional training by traveling through Europe to take classes and attend workshops and festivals such as the Impulstanz International Dance Festival in Vienna, Austria, where she studied with a variety of artists including a highlight experience with Nita Little. Monica is in her sixth season with Milwaukee’s Wild Space Dance Company, is teaching yoga through the UWM Outreach Department and enjoys instructing children and adults of all ages. She has pursued producing and presenting her own work including the independent dance concert, Brush Up, co-produced with Daniel Schuchart in August 2004. One year later she was presented as an emerging artist in Art-to-Art, a concert on the Danceworks Presents:  Summer Dance Series 2005. Two more collaborations with Dan Schuchart were presented last December on the UWM alumni concert, Dancemakers Redux, and more recently by Wild Space in Balancing Forces.  The pair’s most recent endeavors include curating interactive, multi-media events in the Kunzelmann-Esser Lofts and Gallery, and touring another of their independent dance concerts, I Am for Now, Maybe Not Later, to the Minnesota Fringe Festival in August 2007.

 

Dan Schuchart

Daniel Schuchart is in his sixth season with Milwaukee-based Wild Space Dance Company. He is a graduate of UW-Milwaukee Peck School of the Arts with dual BFA degrees in dance and painting/drawing. Dan has performed in works by Janet Lilly, Ed Burgess, Simone Ferro, André Tyson, New York based Susan Marshall and Milwaukee's Danceworks Performance Company. Dan has also actively pursued creating and producing his own work including the independent dance concert, Brush Up, co-produced with Monica Rodero in 2004, and creating work for the collaborative Art-to-Art on the Danceworks Summer Series in 2005. He has had five works presented by Wild Space, most recently in Balancing Forces in 2007.  Other collaborative work with Monica Rodero includes curating interactive, multi-media events in the Kunzelmann-Esser Lofts and Gallery, and touring their most recent independent concert, I Am for Now, Maybe Not Later, to the Minnesota Fringe Festival in August 2007.  Daniel has also been continuing his studies in dance by traveling throughout the U.S. and Europe to take classes and attend workshops and festivals such as Impulstanz International Dance Festival in Vienna, Austria.

 

Luc Vanier

Luc Vanier is an Assistant Professor in the Dance Department at the University of Wisconsin at Milwaukee’s Peck School of the Arts.  Originally from Montreal, he studied at L'Ecole  Superieur du Quebec under Daniel Seillier.  In 1998, he retired from Ohio Ballet having danced a variety of roles such as the Workman in Kurt Jooss’ Big City, the Third Song of Tudor’s Dark Elegies, as well as the leads in Balanchine’s Allegro Brillante and Paul Taylor’s Aureole among others.  Mr. Vanier was also a company choreographer; his dance Square Play, with a score by Libby Larson, was presented as part of the company’s 1995 Joyce season in NYC.

He both received his MFA from the University of Illinois and became a certified Alexander teacher in 2001. His research on linking the Alexander Technique, developmental movement and Ballet is at the forefront of integrating somatic work into the dance class and has been presented at various conferences and workshops throughout the US, Russia and just recently, Australia.

His works Bob’s Palace (Feb 2003)and Dreaming Meat (Feb 2004)were the culmination of four years of collaboration with the Beckman Institute.  Presentations on his works have been seen at SIGGRAPH 2003 among others.  In Milwaukee, he choreographed Cat’s Cradle with Kurt Hartwig, Somewhere with music from Christopher Burns, Frog with animation from Evan Mazureski and just last June, “e’s of water,” a multi-media site-specific dance-theater installation presented at the new PSOA/Kenilworth Square East building.

 

 

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